Paul Hirsh
jazz panpipe pioneer and designer-
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Tag Archives: Classical theory
Chunking down on Scale Practice
Chunking down into N chunks reduces practice required by a factor of Nx where x is the number of possible chunk flavours Paul Hirsh (@jazzpanflute) Why do we need full-length scales? Or: why do the scales we practise always need to … Continue reading
MOVES: Melodic Freedom for the Classically Chained
Followers of this blog (both of you) will have noticed that I like to quote the NLP adage: “The Map is not the Territory”. And one of my main beefs about most traditional musical instruments, when it comes to learning … Continue reading
Posted in Interval Training, Moves notation, Musicianship
Tagged chromatic exercises, Classical theory, ear training, guitar scales, improvisation method, improvising, interval names, interval training, intervallic awareness, intervallic improvising, intervallic notation, intuitive improvising, MOVES notation
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Six Seconds Make a Seventh
Originally posted on Intervallic Awareness for Improvisers:
Six seconds make a seventh? Is time expanding? How do they do that? Simple! The same way as two thirds make a fifth! Two fifths make a ninth, but three of them make…
Six Seconds Make a Seventh
Six seconds make a seventh? Is time expanding? How do they do that? Simple! The same way as two thirds make a fifth! Two fifths make a ninth, but three of them make a thirteenth, which is also twelve seconds. … Continue reading