Paul Hirsh
jazz panpipe pioneer and designer-
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Tag Archives: improvising
Weightlessness
Jazz education generally does its best to keep up with the latest trends in music, with thousands of teachers worldwide analysing classic performances and attempting to reverse-engineer them into exercises that you can try at home. Working always on the … Continue reading
MOVES: Melodic Freedom for the Classically Chained
Followers of this blog (both of you) will have noticed that I like to quote the NLP adage: “The Map is not the Territory”. And one of my main beefs about most traditional musical instruments, when it comes to learning … Continue reading
Posted in Interval Training, Moves notation, Musicianship
Tagged chromatic exercises, Classical theory, ear training, guitar scales, improvisation method, improvising, interval names, interval training, intervallic awareness, intervallic improvising, intervallic notation, intuitive improvising, MOVES notation
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Playing what you hear vs. the instrument playing YOU
If we break down our focus of “playing like singing in the shower” into its component parts, using our hard-earned Intervallic Awareness to help us find the notes, we would end up with some scheme such as: Imagine a melody … Continue reading
Posted in Musicianship
Tagged improvising, inner melody, jazz improv, Jean-Michel Pilc, Lee Konitz
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Making it intentional
If there is one constant theme in everything I try to do in music, it is the idea of intentionality. I once read both John Cage’s books in praise of chance operations and ambient sounds, and found them highly entertaining, … Continue reading
Posted in Musicianship
Tagged improvising, Intentional improvising, John Cage, John Coltrane, Michael Brecker
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MOVES notation doesn’t tell the whole story. The 8 leap in the James Bond theme is not the same as the 8 leap in the Love Story theme. In classical theory, the first is an augmented fifth and the second … Continue reading